here uto karem returns to plus 8 for his second release on the label, with the two tracks he serves up - take control and all over you - continuing in the rising italian stars good run of form. as well as being an in-demand remixer, dj and producer, karem also runs his own agile recordings imprint on which he explores the same deep techno rhythms and loopy hypnotism as he does with his two original tracks here.take control is a liquid track which builds in looped layers through piston pumping percussion, up-right beats and plenty of melodic drama. though it pushes on from left to right in true plus 8 style, the warmth and atmosphere that surrounds the main beats and bass is what really sets the track alight. all over you again features a crisp, almost dry production style as various percussive elements flesh out a 4/4 techno groove. hidden within each bar are some wooden sounding hits and various melodic notes, all of which are heart-warming additions to a killer dancefloor groove. as well as this, there is a more driving dub version of take control which canters on a knife edge for its six minute duration, closing out another efficient and streamlined techno release on plus 8.

peter van hoesens last solo output on time to express dates back from march 2010 with his seminal entropic city album.after a string of remixes and collaborations peter provides his own label with a new solo ep. the transitional state ep presents four brand new tracks,each distinctly different from what has come before. available on 500 vinyl copies!

concluding what has proven to be a nothing short of an epic trilogy, dynamic reflection unveils the final instalment in abstract divisions >form and function< series. the crowning piece features one new abstract division track, >deformation< and three remixes from mike parker, norman nodge and the secretive area forty one

safras said: this our best vinyl release we have so far release in many aspects. innovative sound in a great package!

marc miroir teams up with andreas henneberg (voltage music), >faces< is the first single release of marc miroir s debut album >hitting home< and already djs secret weapon. the result of this killer collaboration is an exquisite tech-house floor-bomb with the miroir typical deep groovy bassline, most serious flutes, strings and delayed percussions.
on top there is a great remix by frankfurt based einzelkind, who is well-known for his collaborations with christian burkhardt. this 12 inch comes with the new paso artwork, and is the perfect tease of what can be expected from marcs album debut >hitting home<.

2012.. a new year and a new era for seven music! 7m012 sees the debut of the mysterious robotalco. we were so impressed by his recent releases on home taping is killing music and on the prowl we had to get in contact with him. what a release he is provided for us. this is real deep house music! the quality continues on the remix tip with underground superstar cottam. we are not going to bore you with our description of each track. we will let you draw your own conclusions..for now.. enjoy and stay tuned!

breaking-through in berlin is not an easy task and that is exactly what mike wall, the latest artist to join the hidden recordings family is doing with a remarkable release showcasing the versatility, artistry and pure soul that goes into making music for the big room. mikes talent first came to hidden recordings with his darker, jacking rendition of 014hr m.a.d.a. + planktons >antiz<. additionally, his inventive, high octane jams have found themselves on such high profile labels such as sleaze, on and on and pluseins. additional firepower enlisted for thre release comes two men who we deeply admire. the first is somebody who is making us re-think the boundaries of techno, the elusive and mysterious xhin from stroboscopic artefacts and clr. the second comes from splatter, with his evil and dark chugging glitched out trade-mark sound that will tear up danceflooors and leave you shaking in all the right ways. the combination of the originals and remixes will also be getting the deluxe vinyl treatment that followers of hidden recordings have come to expect – watch for it in february. we are proud and excited to share this one with you as we believe mike wall is a diamond in the rough. use these wisely to get your dance-floor moving and feedback is encouraged and welcome.

us native and techno newcomer 785 blasts onto the scene with a stellar debut 12inch. kansas native 785 debuts with his first 12inch ever on jerome sydenhams apotek records. it is clear this evasive sound engineer has a special gift to craft techno from sources others may have never dared to tap. the a-side mada theory is a display of pure techno diversity with slight nods to dub, ambient and the upper class of minimal. a record whose beauty may lay in it simplicity until one witnesses the complex chaos it causes on dance-floors. the flip, east box, gets a tad more mechanical utilizing drilling kicks and a host of atmospheric sounds sliding in unison with machine rhythms, coagulating into some hardened molten tech-funk. both tracks have that special something that makes them standout.what has he employed that others havent? a phenomenon well have to wait to decode until he unleashes his next pack of roving beats.

unxpozd presents deepermoments, the first release from the vinyl catalog. the project is produced entirely by dj aakmael, featuring 4 raw and basic house bangers! the opening track deeprespectrak is a head-knod track with a serious groove,shouting out and giving respect to many of the deep house legends. for the second track chord damage the gritty, dirty chopped-up chords riding the heavy beat satisfies the appetite for dopeness!third track on the flip side is that sound, shows aakmaels love for that classic sound, featuring deep and warm organ chords topped off with lovely voices. the final track is what i want gives a smooth and jazzy melancholy feel, similar to the experience one would have in the early 1900s listening to the local jazz vocalist/band perform in a smoked-out bar sipping drinks on the rocks!this debut ep from aakmael is sure to apease your deep house hunger!

a tribe called quest’s 4th longplayer, originally released in 1996, back on double vinyl.

die neue pop-sensation lana del rey mit ihrem neuen album >born to die< - inklusive der ballade >video games<

!! vinyl only release , 300 copies only !! > modern underground music< is a collection of tracks culled from many corners of the underground. hopefully the first in a series. i want to feature a cross-section of genres, with a slew of new artists you might not be familiar with. i guess i could go the easy route and sign tracks from c2, cvs, etc. but thats not really what b/c is about

in advance of the release of dapayk & padbergs third full-length sweet nothings - this time round on stil vor talent - the experienced duo are teasing us with the fluffy cloud ep, which showcases three of the album’s many diverse highlights, while keeping the vinyl lovers happy. the a-side bears the lps title track >sweet nothings<, on which dapayk & padberg’s sound takes a turn as they come knocking with a deep but forceful groover, whose distorted high-hats and trancey synth stabs create a vibe both euphoric and weirdly subdued. the lyrics, moreover, emphasise the duality at the core of many dapayk & padberg tracks as the latter ponders ‘you’re good for me - you’re bad for me’. showing another of the duo’s many facets, ‘backyard’ enchants thanks to mystical lyrics sung beautifully over a deep quasi-dubstep structure. marking the ep’s mid-point, the atmospheric song shines through intricately crafted fragility and is the perfect contrast to the previous and following track, while leaving a strong desire for more stuck in the listener’s mind. on the b-side, ‘fluffy clouds’ does quite the opposite to what its title suggests - rather than being a soft little piece, we are treated to big-room techno fodder à la berghain. a skeletal framework of heavy kicks, dark pads, white noise and dense metallics works relentlessly underneath a cold spoken word, proclaiming >not human, not animal - just a body in motion<. machine funk par excellence.

after his debut album connecting the dots at the end of 2010 and several remixes in 2011, h.o.s.h. finally returns to diynamic music with some fresh productions and a statement: life is music is life. thats the name of his upcoming, long awaited ep, showing new sides of his verified and openminded taste in music. h.o.s.h. presents us three astonishing original takes on vocal music, all featuring the soulfull singer malonda. the opener what do you want me to say? is an immediate hymn consisting of an emotive vocal supported by sexy percussions, an impulsive cowbell and a deep, pumping bass. totally focussing on getting people to move. this one will stick right into your head. on the a2 h.o.s.h. again introduces a straight groove but this time he combines it with repetitive vocals, hypnotic synth-sounds building up tension and even some slight strings. hidden pleasures is an instant viber. the finisher high! is slow and a true groover with a gripping bassline, drifting melodies and a vocal singing a short story about those special moments on the floor that we all know. in the end h.o.s.h. has managed to re-introduce himself without even focussing on this.

after some time spent entertaining from distant lands, the circus company brings it all back home with a release purposefully written to pay tribute to the breeding ground for their unique strain of house music, paris. seuil stands proud as one of her most cherished creations, a man ever evolving as an artist from the structure and function of minimalist dancefloor music through to the esoteric expression and ambience of jazz, channelling that same swinging spirit that has characterised much of the work on circus company. the release of his -chamaeleonidae- album proved to the world that there was a strange musical spirit in seuil that manifested itself in live drums and languid keys, character traits you could associate with his fellow parisians dop. the collaborations between them have been many in recent years, and once again they come together to both complement and test each others styles in a surprising vision of what pop music could sound like if crafted with soul and imagination. the beats stay tight and steady throughout the three tracks that make up -fluctuat nec mergitur-, driving a foggy brew of strings, synths and drones into a commanding groove. meanwhile the composition gently rises and falls on waves of melody, as particular harmonies swell in to carry you away to a very blue kind of euphoria. such drama and passion captures the essence of both seuil and his beloved city in one heady brew of dancefloor excellence.

achterbahn d amour is courtesy of edit piafra & iron curtis. rooted in nu&#776,,,,rnberg, city of love. jx2 is another slammer, guided by lush pads and some quirky acidish bassline that cuts from your left brain to your right brain and then straight to the next dancefloor. there is no escape, dont even try! the other side of the platter has more to offer: the middle of is a high standard dj tool with heart. repetitive loops all over and no end in sight. but(t)! exactly the right amount of dirt to keep you movin and shakin that hips. oh, we have to admit, no rnb samples were used at all. sorry guys! if youre into pop music with a certain love for jackin house music, youll probably go for into the wilde. this song was recorded just before a mad club gig in berlin and you know what to expect: pitcheddown and pitched-up vocals, a live bass and drum machine workouts galore. frank says: these guys are hot as hades. early plays by gilbr (chateau flight), axel boman, basic soul unit, hunee, san soda, roberto rodriguez, red rack em, sasse, ethyl, patlac, matthias vogt (motorcitysoul), francis inferno orchestra, snuff crew & foffie.

supported by: luciano, soul clap, m.a.n.d.y., tiefschwarz, reboot, richie hawtin, robert owens, catz n dogz, audiofly, droog, the revenge, andre lodemann, jozif, butch, gorge, julietta, ray okpara. already known for his hit watamu beach on loco dices desolat imprint, sebbo certainly isnt unknown in electronic music scene anymore. this time he appears with his partner in crime mario da ragnio to release a fabulous deep groover entitled fourteen years. these guys definitely know how to combine modern elements of electronic music with a typical driving tech-house rhythm resulting in a magical tune made for all set-times. when talking about berlins electronic music scene,its very difficult not to mention smash tv aka holger zilske & kai preussner. known for their special kind of production, with releases on get physical or playhouse (holger zilske), they are now creating their very own interpre-tation of a deep house tune: chrystal moth. grooving, simple and effective. also on the flip-side, completing this deep soulfooled ep, label-partners superlounge bring another high class modern house tune, featuring jonny cruz, one again showing his skills on the microphone. the whisperer mirrors the typical deep superlounge style, modern vocals which will make you laugh and possible think about what jonny may or may not get up to in private. listen and enjoy!

pressed on heavyweight 180gr vinyl with picture sleeve. flights of fancy vol 1 is the start of a new series showcasing what, through our ear dimension filters, balearic sounds like.

typically commissioned to extend the life of a hot-selling single, culprit bucks the trend by delivering a remix package of gavin herlihy’s ‘endless feeling’ immediately after the ep release – a testament to the label’s faith in gavins work and the richness of its sound.

get ready for two genius edm racer! boys noize and mr. oizo (ed banger) finally collide. they joined forces and created a duo called handbraekes. their first track callgurls has already been premiered on annie mac (bbc radio 1) a few weeks ago and is an eye-opener of what you can expect of two geniuses clashing their machine parks together! 4 tracks, which will set a new benchmark in the edm scene. full throttle on handbreakes!

two killer dub versions of mass x from fudge fingas what works ep. check! vakula turns the original tropical cut into a brain-melting, dark warehouse soundtrack. meanwhile, juju & jordash slow things down and get lost in a shimmering bass odyssey. very special, limited package with gold and red screen printed sleeves.

when no one is watching ramona, is usually listening to future times records and beautiful swimmers all days. maxmillion dunbar is not only half of those aquanauts, but also running the label and releasing music as max(million) d(unbar). what a guy! hanging out in the vague territory between slow-motion house with a hip hop feeling or dubby and dubious fun music, his melodious approach is extremely hard to categorize but all the more enjoyable. >polo< already saw the light of day on >max trax for world peace<, but ramonas favorite dj ata and live at robert johnson manager oliver hafenbauer were so much in love with the bleepy bonbon that they offered it a place by their fireside. now cautiously modified, fine-tuned and extended for its label home, its a rainforest serenade for beatnik boys and girls, with all the ingredients you want from tha d. the only kid able to thrown down the gauntlet in front of maxi is frankfurts melody man phillip lauer (arto mwambe, brontosaurus, etcetera etcetera). turning >polo< into one of his trademark sluggish bass line barrage tracks with falsetto synths and sharp snares. get your vogue brogue out.

the moustached disco avengers at sccucci manucci drop their latest missive, featuring more transmissions from the disco underground. argentinean based toomy disco provides >what goes around<, a tightly produced disco-house number with horn snippets woven around low-slung grooves, whilst the glue deliver >without you< a hazy slo-mo looper with vocal teases and hypnotic guitar licks. on the flip, south west seven lock themselves into a fast moving groove with >what have i got to do<, a track that contrasts its fast rhythmic pulse with vocals and guitars that slowly emerge from the filtered ether. aeromaschine close proceedings with >deep champagne<, combining a deep and melodic bassline with improvisational touches and glitchy vocal stutters, it successfully forges its own sound whilst keeping in line with his disco counterparts.

it is one of our traditions to release remixes of our favourite artists and so we are happy to feature top remix artists for this minilogue remix release on traum.
the >drop the mask of self protection< remix of dominik eulberg is a bit of an adventure! unlike his >diorama< album and maybe because of its elaborate musical challenge, he has taken a time-out to create a serious club format in the true eulberg style witnessed on trapez in the past. so what does that really mean for this track? well this remix kicks off a bit of an relaxed percussive and deep house groove and undergoes in its course quite an explosive transformation! with a lot of skill and finesse mr eulberg pulls the strings with accuracy and makes the transfer of what unfolds to be a heavy big pounding techno rocker! thumbs up this is superb and eulberg at his best.

space ranger is back on patrol. moving house and a peaktime affair plus a couple of remixes coming from moscow and barcelona. this is a hell of a 12 inch! another set of remixes (the last one) off of their stunning debut album >what about the magnetic fields?<. this time its moscovians lipelis & simple symmetry from the super hip pompeya who team up for an el debarge-style cosmic funk-pop affair, while barcelona resident barbena takes things the deep-house way. you also get the original and house monster >music< in the package. it doesnt get much better than this.

sonic underground compiles remixes by the ccc family of up-and-coming indie artists – four floor-ready, mutant hybrids of rock, pop, disco and deep house. belgian firebrand mugwumps rework of cccs own acid snow transforms the acid/no-wave original into a disco-house monster thats earned accolades from the likes of ewan pearson and magda. ivan smagghe calls the remix a no-nonsense record. while some look for experimental arty-ness, some for the big hit, all of this pretending to be underground, mugwump pull out of their sleeves what is properly hard to achieve, a cool big track.in a similar way, the rest of sonic underground explores new combinations of arty edginess and mass appeal. mack winston & the reflections see their swaggering glam-rock transformed by ccc into a deep back-room sex jam thats getting support from the wolf + lamb crew and is featured on soul claps compilation cd for mixmag in february. the flipside highlights remixes by cccs own night plane: with its atmospheric guitar and emo vocals, his take on presssures sounds like if the cure ever showed up on crosstown rebels, and his re-design of fellow new yorker baby alpaca is a dreamy k-hole lullaby, with blissed-out melodies that make it an after-hours snuggle classic.

with the very first release on polynom thomas stieler presented an euphonious sounding interpretation of look for the sin, which stems from daniel schwarzs dubby original. the labels second release is coming up now titled my soul. this track has the signature of thomas stieler and shows, what emotion and commitment within arragement means. thereby a warm, phantasic balanced and primarily harmonic and qualitative valuable house track that creates a gracile level of comfort by its deep and artful temper relatio focussing the dance floor as balanced staging area. in the soulmate-remix by less the original is applied by a dynamic portion of drive, which absorbes the aesthetics of my soul and polarises therefore with pressure. doing this less is never loosing the reference to the classic message of the original. hes just additionally seasonning as taste is as well-known varying. strictly ltd, no repress

pop ambient 2012 begins in an unusually new but nevertheless somehow familiar fashion. mohn with manifesto is the opening act. a manifest of slowness. a slowness that jörg burger and wolfgang voigt have taken up as new mission. mohn is their new ambient-grunge-down-beat project, scheduled to depart on its official musical journey to middle earth early 2012. what follows is equally surprising: the old kompakt swashbuckler superpitcher is taking part for the very first time.
cd version of this album included.

the bowels of flapjack records are very excited and relieved to push that peruvian boy out onto some vinyl. what a relief! this new ep is so phat that we thought it might have required a trip to the hospital. there is no enema strong enough to work this hot piece out. this would require some dance floor surgery. >i cam to jam ep< is like the signature dish of peru and works like magic on the dance floor as well as your taste buds.

so after the elusive triumph of our first release finally came firmly into our grasp, we at sequencias here in new york thought it was time to take things in a parallel direction without retracing our steps. drafting three top names in underground deep house for a label debut is no mean feat, but how do you follow up on a surprise coup like that? we thought it was time to go even deeper, and we couldnt think of a better way of doing that than getting an experienced player to unveil a new alias for our second offering. things being as they are, weare trying to keep it a bit low here, but what we can let you know is that his discography stretches back to 2005 and that he has appeared on the illustrious bunker records. this should give you a good idea of what to expect: deeper-than-deep, dirty, and gritty house that jacks with the best the movement has to offer. we have to say that orpheus firmly delivers here, and we hope you will be as pleased as we are with the three dark and introspective offerings he unveils for his new project here at sequencias.

noel gallaghers high flying birds has received another royal remix treatment as unkle take on their album cut aka... what a life! following up to their rendition of let the lord shine a light on me, this outstanding rework is part of the second edition of the production duos ongoing remix series the production duo has going on. noel gallaghers high flying birds is out now on sour mash

this is what we call house music soneec lauer & canard the producer trio from poland are on fire and with the fantastic voice of virag this release is a must for all the house heads 3 mixes to choose from deeper vibes to slammin uptempo disco grooves. what else!

since we met ark in spain a while ago. after being around since 1997, we were curious what he would do for a small label like klamauk. well, we are happy that we ve got one we really love for its moods. his track >fat runner< is a deep growing house track with arks typical kind of breaks, getting faster and faster, ending in a true dance monster. welcome to the klamauk family

cmm va001 is the first out of a two part various artists ep release from this new & passionate uk based label whos aim is to introduce and showcase some of the first signings they made. the labels aim is to be a home for new and established producers/artists who can showcase their talents & be free to express their musical output without being labeled or pigeonholed to one style or vibe. simply put, music is the key not the genre.

first only available via decks.de!!!
this time only 200 copies in translucent vinyl are presented, sealed together with poster cards and personal handwritten signature by nikosf. himself. >seasons & circles< is our 3rd vinyl project, but it is also a debut release for nikos fragomanolakis (nikosf.) on deeper meaning. despite all the problems greece is facing lately, this talented music expressionist from crete definitely proves that true artists inspiration can not be affected by the modern crisis and that the electronic music scene is greece is getting even stronger no matter what. nikos is introducing his deep music vision with an elegant touch and limitless landscapes of imagination, starting from the first seconds of the track.

token is 5 years old. i never planned to do anything special for this occasion. however, when i received these 2 new tracks from phase, all just fell into place. this release pretty much sums up what token stands for since day one. both tracks are fierce pieces of relentless yet deep techno, in-your-face yet very subtle rhythms, all credited to phases detailed drum programming, keen sense of atmospherics & sound processing.
what else.. except for the fact we flipped the graphic design a bit, we can tell you 2012 is going to be a busy year for token. there is a lot of exciting music floating around we definitely want to share with you soon, not just the usual suspects but also some new signings.
keep your ears peeled.

reaching the age of twenty and barely legal, > cabin fever< presents this mysterious e.p from downtown miami. and what better way to end the year than with these super funky, slow-mo funk infused house jams that are sure to bring some sunshine onto the dancefloor!

as a debut 12inch release for both dj marfox and principe, >eu sei quem sou< (i know who i am) is the best title we could hope for our collective present & future intentions. it is what marfox has always made clear to us through his work - a unique vision of technological, artistic and civic advancement. everything is about having your code, knowing where you come from, about the way in which he s chosen to progress through his music.

gavin herlihy is a producer hitting his stride, an artist who has been stealthily gathering heat for some time. his previous productions have graced the likes of cadenza, get physical, cocoon and leftroom – impressive stuff indeed for the young irishman who now calls leeds home. as a producer hes entering his most prolific and productive period to date, and on the back of this ep for culprit, 2012 looks set to be his break-out year.

the young, newly founded label lofile proudly presents its first ep wowmom brothers & sisters. wowmom is a collective of three djs and producers that focus on deep house but are influenced by a far wider range of music - with shapes and strings of detroit techno to chicago house. together, off. exile, simon busse and marbod got four beautiful minimalistic tracks recorded on vinyl with remixes by johannes albert, mod. civil and boytalk. dark, but clearly minimalistic, pearling and with a profound deepness, lfr 001 is like a small detail of a picture. you can dream the rest around it and imagine what will follow.

>in< is love in its purest form, >in< is a cult of beauty >in< is the red carpet that leads to what will be the debut album >slow dancing in a burning room> from basque artist el_txef_a aka aitor etxebarria for fiakun records. the single will be released as a special 10inch vinyl on the fiakun lable and is a perfect prelude to launch aitor etxebarrias lp in march. 4 minutes of slow burning sensation that only the northern spanish artist can deliver.

>into our midst< might just be walls finest achievement to date: you can literally hear the duo nailing it. backed up by an exclusive edit of the title track and unreleased freeform thump-out >idle sway<, this 12 inch manages to accomplish the impossible: bringing the bounce back to the chill-out. one can only wonder what walls will do next to woo and enchant their audience growing bigger every split second.

one year ago digitaline has released raouls very first release. it has been one of their most successful eps so far and both tracks instantly found their audience and brought raoul onto the main floors of the entire world, where it still stands confortably one year later. so what better than to celebrate one year of the label and welcome digitaline back home? same format: two tracks of deep techno, fat grooves and aerial melodies made for the dance floor. almost made on the dance floor. true! digitaline’s sound is always very inspired by their live performances and with those two tracks the boys wonderfully managed to transpose the best of their live skills, energy and dynamic. before finally being released here, both tracks have been played live on many floors throughout 2011, adjusted slowly set after set to touch every soul listening. a-side neon is a massive groove infecting the entire track through long breaks, while synth strings generate waves of tension in the piece. b-side comet is build around a big round bassline and concret noises that give the track its organic motion. the melodies of the track seem to come out of a fairy tale, dreamy arpeggios that defy the laws of gravity.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

from celle into the wide world: these days guido schneider is one of the major globetrotters among djs and producers worldwide, but he began his career 15 years ago in provincial germany. however, instead of baking bread rolls, schneider founded his own label neue welten right from the beginning. it was a move that naturally brought him to the capital of electronic music in berlin. what followed was a series of exciting and successful collaborations with other renowned artists, and after dissolving his label, schneider began travelling as a sought after dj, jetting all around the globe. it is little wonder that such a reputable dj and producer also belongs to the diverse highgrade family. he has now produced another ep for the berlin label which brings us the typical guido schneider qualities right before our eyes, or even better: before our ears! the two tracks navigate precicely from the first bar, the minimal sound universe that relies on elaborate percussion, without ever being over produced, and flow into fantastically harmonic vocals that lend the thumping beats an elegant softeness. simply stated, typically schneider.

stylistically different from their previous releases, the dynasty ii ep is a catchy, propulsive and perhaps at times even romantic release. providing four energetic songs of varying mood, the ep proves that the boys can always deliver. the ep included cesares road tested >what do u want<, a straightforward old school banger with deep distorted synths and a monster vocal hooks. the track is then also remixed by both jeremy & cesare adding both depth and character to the already powerful original.

*** first available via decks.de ***
with sa012 dadub carefully collate legacies of philosophical thought and transpose them into a brilliantly deep ep. the vinyl opens with >perseverance< a slick slice of bass that writhes and twists around a syncopated core. on a2 >temptation of maya< seizes at the act of perception and what is captured is perfect for the mellow confusion of a sunday morning. on the flip side the search for transcendence goes further with >beyond the veil< which crackles towards a sense of enlightenment. the ep closes with a golden moment of contentment, >moksha<. the track titles hint at the search for revelation, which is rendered in countless experimental layers and finely wrought details. sa012 is a peek into the conceptual framework that dadub engage with to create their vision. and just as their central image, maya, is intangible in the perceptible universe, the tracks seem to erupt from an equally mystical place: molten, dark and fathomlessly deep.